Why More Genres Is a Good Thing | Electronic Music
This is an archive entry: the video and its transcript, published so the words can be read, searched and quoted. It is not a written piece.
Cut from 5:56 of tape, 2 raw clips at 720×1280.
This is an archive entry: the video and its transcript, published so the words can be read, searched and quoted. It is not a written piece.
Cut from 5:56 of tape, 2 raw clips at 720×1280.
Transcribed and speaker-separated with AssemblyAI from the original audio, so nothing is masked. The letters are the model's speaker labels, not names; fillers are dropped by the model. Names corrected. Published in full so it can be read, searched and quoted. Search every transcript →
These are the speaker’s own words, as they said them. We have not checked their claims.
0:01AIs there like a subgenre of like EDM or dance music that appeals to you the most?
0:07BA subgenre? Man, I don’t know. I kind of like don’t really pay attention to that stuff. I kind of just like consume and like listen to music and create without thinking about like genres or anything like that, you know?
0:23ABut do you see subgenres? Like, I don’t really listen to electronic music, honestly.
0:27BYeah, I mean, I think that like, of course, if people were to like categorize my sound or like stuff that I’m into, I feel like it would be like wonky, like space-based, I guess, you know, some glitch hop. Yeah, I was thinking -- I don’t know, man. It’s -- there’s so many genres. There’s so many genres, and they continue to evolve. And I think that’s really cool because I think it just gives people more of a reason to like go in on what they love and find what they love, you know what I mean? So Yeah, it just like makes more space for little niches that people can connect with, which I think is really, really, really cool for sure. But yeah, I’m definitely into that like wonky trippy shit, melodic, you know, a little bit of everything, but keeping it real with like live music and stuff, live instruments, vocals, drums, like taking, you know, even using like hybrid drums or all electronic drums.
1:31AYeah.
1:32BIt’s still like everything just is still -- you try to humanize it and like make it real. And I don’t know, dude. Yeah. So I think that’s just like the counterbalance to AI is holding on to whatever, like little shreds that we have of like humanity, you know, and like our own human, like experience, which is not perfect. So.
1:56AI had 4 seasons.
1:58BAnd I think that’s why people are still wanting to come to dance music and like connect and go to live shows and stuff like that. That’s like, that’s so huge. So even though a lot of what we do is like really --
2:11ARight.
2:13BLike lonely and kind of like isolated, it also is really like, it’s like, man, so much worth all the work, you know, that goes into it just to like see people connect and have a good time. And yeah, dude, I think that’s what people really just want now is they just want to like connect with real people, like get outside of their house, get back from behind their computers. And like, that’s what I think dance music has going for it right now. I think we should double down on the culture and like just build people up and like make it a safe space for everybody. And like, I think that also comes like educating new people to the scene on like how, you know what I mean?
2:57AI know it.