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What is missing

Why this exists. In the founder’s words.

Draft in the founder’s voice, built from his 2022–2024 writing and the tape. Under review by Maceo; sentences in quotation marks are his, verbatim, and link to where he said them.

Before now I never envisioned myself running a newsroom. This started as We Them Niggas, a podcast I made to contribute something to the music industry, and We Them Niggas is how I built the network, the community, and the archive that We Them Media is now built on. What I learned in web3 shifted what it was for. “Originally conceived as a podcast, things have shifted-- as my journey into the realm of Web 3.0 has taught me the importance of prioritizing community over content creation.” That sentence is from September 2022 and it is still the shortest version of how We Them Media happened.

Here is the problem as I see it. Almost everything you know about a place you have never been reached you through somebody else’s edit. It came filtered, summarized, and reordered before it got to you, by people and now by machines that never asked the person it was about. Ask a question about a country you have never set foot in and watch what comes back: an answer in seconds, confidently written, from sources you cannot inspect, about people nobody talked to. You lose the ability to act on any of it, because you cannot tell what is true.

The thing I keep coming back to is that “the victors are the history books.” So this time we should do our work and archive from all sides. That is the whole idea. A camera in the hands of somebody who lives there, asking the question, and the answer kept in the words it was said in-- not a summary of it, not a quote pulled out of context, the tape.

What is missing is the footage. Enough video made by people who live where the story is happening that anyone can check a claim against a face. Enough of it to put communities in front of each other who would otherwise never meet. Make enough of that and people can act on what they can finally see.

The Mission

Narrative is a public good. News is a public good.

“We Them Media is a community-driven media platform trying to be at the intersection of tech, community, and culture.”

The longer version is the one I wrote in 2024 and still stand behind: our mission is “to communicate the viability of blockchain technology as a tool to expand the agency of Black communities to have a new level of control over our economies, culture, and ideas.” The way we do it now is street journalism. The idea is, all of a sudden you’ve got a neighbor committed to being your neighborly newscaster. Businesses shutting down, people getting evicted, good deeds, accomplishments, tragedy. All of it. We put up a question every week, people around the world go out and ask it on their own streets, and the answers go up with the person’s name and city on them. Narrative is a public good. News is a public good. I want the people the rest of the industry categorizes, generalizes, or ignores to be the ones holding the camera.

The Community

The “Them” in our name is the people who get spoken about rather than spoken with.

We make videos from and for communities whose stories are most often told extractively, by outsiders passing through a place they don’t share, or not told at all.

There’s a pattern behind that extraction. It’s colonial, neo-colonial, and corporate, and we don’t pretend it isn’t. Colonialism in particular is the biggest unwritten story of contemporary media. We don’t treat it as a single beat. We treat it as a lens through which other stories get told. George Floyd needed colonial context to be told justly. Biafra needs it. Land and economic questions in Kenya carry the long shadow of British settler structures, even when the day’s news looks unrelated. Eviction in Charlotte needs colonial-and-corporate context. Most outlets leave that context out. That’s how communities end up dehumanized and decontextualized in the same breath. We don’t.

The work is led by a coalition. African leadership and diaspora leadership form the spine. White collaborators and other allied voices are part of the network on the same anti-extractive terms. Lineage matters here, and it is not a purity test. The question we ask anyone joining us is whether they treat the people in their videos as partners or as objects.

The network is anchored in Africa. That’s where most of our contributor base lives and where the founder has spent the most time on the ground. The immediate work is to show the model holds in Nigeria, Kenya and Ethiopia, then expand. Latin America may be a later horizon. We’re not committing to a second continent before the first one is properly anchored. The English-speaking diaspora is already part of the work. Expansion comes in stages.

The team is split across continent and diaspora, from Lagos and Abuja to Nairobi to Philadelphia, and everyone is named on the masthead. The audience: people who want to understand somewhere they don’t live, from someone who does. College-age is the spine, and that holds for most of the people filming too.

The work is free to access. No paywall. No advertising. The audience we earn is the audience we owe.

Gigi, interviewed against a brick wall in Denver Maggie of Unlink at ETHConf, New York Gloria, interviewed in Ethiopia On the ground at a Denver protest
The Stakes

We’ve been pacified into complacency.

Most Americans don’t know what’s happening in the rest of the world, and when we do, we’ve been given reasons designed to make us feel there’s nothing we can do about it. So we don’t. That’s pacification dressed up as helplessness.

The U.S. holds disproportionate weight on the planet, and most of us have been set up to undervalue that, because recognizing the power that comes with it would mean having to use it. The gap between what an American citizen could push for and what most do push for is one of the most expensive gaps in the world. Most of that gap is the fog, doing its job.

The work We Them Media is committed to is closing the gap. We want the world to be able to say in 2030, “that’s how I knew what was going on.” That is a ten-year arc. Most of media is built for a cycle that ends tonight. We’re working on the cycle that ends with people having context they didn’t have, and acting differently because of it.

The audience we’re filming with and the audience we’re publishing to aren’t the same audience. Africa and the diaspora are where the videos come from. The whole world is who we’re publishing to, but the U.S. specifically is where the most consequential complacency lives. So the editorial bridge is two-way on purpose.

The Model

Video-first, conversation-led, on the ground.

WTM lives on the same shelf as independent host-led media, Lex Fridman, Channel 5, Zane Lowe, Afropolitan. The closest sibling is Channel 5. Where Channel 5 sees the world through American-male perspectives, We Them Media is global from day one. Africa, the diaspora, and the U.S. in honest conversation, not one continent’s eyes on the rest of the world. We’re not in the same lane as legacy hard-news outlets and we’re not trying to be.

The philosophy underneath the work is situated knowledge. The position, from feminist epistemology: all knowledge comes from somewhere. The “view from nowhere” mainstream media claims is itself a particular position pretending to be universal. Multiple situated perspectives in honest conversation produce a truer picture of the world than any one perspective claiming neutrality. WTM declares its position openly. African leadership, diaspora collaboration, a community creating from where it actually lives. We don’t apologize for that. It’s a more honest starting point than objectivity pretending it has no starting point.

We don’t just cover communities. We pay people from those communities to develop their own media capacity. Coverage leaves when the story does. What we are trying to leave behind is the capacity to keep filming.

How it works: One Question is the programme. Somebody is asked a question on their own street, on camera, and answers it before they walk away. Contributors across the network film them in the places they live, and the whole thing is talked about out loud every Wednesday on the Weekly Connect, our community call. Anyone can also post a question to the platform and attach money to it, and storytellers close to that question pick it up, film it, and earn the bounty on delivery. Quality work earns weekly tips on top of bounties. The strongest contributors at the end of each season are retained as lead voices for their regions. Funding flows through mechanisms you can see: recurring support through Fractured Atlas, our fiscal sponsor, and open bounties on poidh where every question and every payout is public. Readers can see what they’re paying for and contributors can see what they’re being paid in. Editorial direction is held by WTM. Not by funders. Not by token holders. Not by partners.

The coalition does the work. The conversation it produces is the point.

The Channel 5 carnival crowd in Denver A rooftop conversation at night over Denver Eric, interviewed in Denver A DJ interviewed in Denver
The Stack

Four layers. Each does a different job.

None of these replace a person with a camera. They make the media more durable, more portable, and more legible than a single platform allows. Layer one is what you read. Layers two through four are how the work survives, gets paid for, and remembers itself.

Layer 01 · Editorial

We Them Media

We own the editorial direction. Partners support the rails. They don’t pick the stories.

The content happens here. Contributors shoot and write, we edit, the piece goes out under the WTM masthead. Everything else in the stack exists so this layer can do its job without depending on any one platform’s mood.

Two channels, two jobs. Paragraph hosts the canonical long-form, onchain-signed, ownership recorded to the wallet, archive permanent. Beehiiv runs the newsletter, durable email infrastructure, a list we own, deliverability we trust.

Status: Operating since 2021. Work from 16 countries.
Layer 02 · Licensing

CTRL+X

When a piece gets republished, we know who, when, and at what rate.

Right now, when an outlet reposts a WTM piece, the only enforcement mechanism is a takedown email. CTRL+X is building rails on Solana that change that, a license attached to the piece, recorded to the chain, queryable by anyone, with terms and payments enforced at the protocol level.

Arikia Millikan, founder of CTRL+X and formerly the youngest editor at WIRED, joined WTM in May 2026 and is now Editorial Advisor.

Status: Active. Arikia Millikan joined WTM in May 2026, now Editorial Advisor.
Layer 03 · Memory

bonfires.ai

Our catalog becomes a structured asset. If it’s worth licensing, we license it. If it isn’t, we don’t.

Bonfires.ai sits behind the work, not in front of it. Once a piece is filmed and published, the surrounding context (source threads, corrections, follow-ups, things we learned and didn’t use) gets captured into a queryable structure.

If WTM’s body of work makes a useful asset on Bonfires, we license access to it and the revenue flows back to the people who made the videos. If nobody’s buying, we don’t spend cycles on it.

Status: Pilot.
Layer 04 · Commissioning

POIDH

Bounties commission specific stories. The work is paid in stable money that crosses borders.

POIDH (pics or it didn’t happen) is the bounty platform WTM runs open contributor calls through. Anyone can claim a bounty, ship the piece, and get paid in USDC. Every fulfilled bounty mints as a moment NFT in the WTM POIDH album, the on-chain record of who filmed what, when.

Part of the POIDH platform fee on bounties WTM creates flows back to WTM on completed bounties. When WTM resells a minted moment, the contributor whose work generated the moment receives 50% of net resale proceeds.

Status: Live.
The record

What has shipped, and what is next.

The running timeline of what has shipped and what is underway lives on one page and is updated when state changes, not when this one is: the state of We Them Media → The numbers behind it are counted from the tape at every build, on the ledger.

The Horizon

A self-sustaining, community-driven media platform where the people closest to a story are the ones paid to tell it.

Readers fund the work directly through transparent onchain mechanisms. The editorial standard is publicly published, publicly enforced, and publicly accountable.

By the end of 2026: the model shown to hold in Nigeria, Kenya and Ethiopia. Three lead voices retained. The first season’s work published. Money coming in through more than one door, monthly supporters, fellowships and grants, none of them with a say over what gets filmed. By 2027 and 2028: more regions, decided by what the first ones teach us about where the model travels.

If someone asks five years from now what We Them Media changed, the answer I want is reconnection. Black America back in touch with the rest of the African diaspora. Diasporic communities back in conversation with the continent. Ways of being that have been foreclosed for generations becoming visible again, not as anthropological objects but as living practice. Black Americans seeing themselves as a global people, curious about the rest of the diaspora in a new way. We’re using media as the vehicle for a project bigger than media: rejoining a people to itself across distance and time.

The bigger ambition, honestly, is to create a mirror that wouldn’t exist if we weren’t doing it. A way for the world to start to see itself differently, not just through messages funded to reach us, not just through the perspectives of people who have a stake in us not doing this. People in places that don’t even have power, getting online and on the record. That’s the work.

Erasure ends here, on the record, with credit and pay where they belong.

Where this started

From a college apartment in Lancaster, with the proceeds of an ENS airdrop.

A podcast bought with an airdrop became a network, a community and this archive. The whole story, year by year: how We Them Media got here →

In his own words

What the founder says when a stranger asks what he is doing.

The rest of this page is written. These three lines are not: they are moments on tape where someone with a mic asked Maceo what We Them Media is, quoted from the transcript and linked to the second. All 13, in publication order →

  1. Length 8:11

    Published March 29, 2026

    “So I’m doing this like weekly contest where we we put up $100 bounty each week and people around the world can submit and we ask them to go out and ask a question. And it’s like my project, We Them Media. So I have to go out and ask people the question.”

    Denver · Frank on thirty years at Purple Haze and the art of glass · The full piece → · at 5:35

  2. Length 2:35

    Published July 17, 2026

    “I think it’s critical that we kind of document this moment from as many perspectives as possible. Because I say the victors are the history books, the victors. True. So I think this time we should do our work to archive, you know, from all sides.”

    Denver · Documenting war from all sides · The full piece → · at 0:52

  3. Length 10:42

    Published July 17, 2026

    “Now I’m trying to evolve into a grassroots platform that’s supporting people around the world and doing journalism, surfacing stories from different parts of the planet.”

    Denver · A hitchhiker on a spiritual mission · The full piece → · at 3:36

Standards. Named, so they can be tested.

Seven principles · applied to Maceo first
01

Rules apply to Maceo first

Every standard on this list applies to the founder before it applies to anyone else on the team. If Maceo violates a rule, it gets published as a correction, publicly.

02

A name said to the camera is the consent

A person who gives their name to the camera has agreed to be on it. That is the record; there is no signed release. Anyone in a piece can ask for a change or a takedown: message us on Instagram (@we_them_media) or X (@WeThemMediaHQ), or use the panel headed Something wrong here? at the foot of the page, and we will get back to you within two weeks.

03

We check the words against the tape

We check names, places, dates and every quoted line against the tape before a piece goes up. We do not check the claims people make: the transcripts are their words as they said them, and every transcript page says so.

04

Conflicts of interest get named

If Maceo or anyone on the team has a financial stake, a personal relationship, or a prior collaboration with a subject or funder, that gets named in the piece itself. Not disclosed later. Named up front.

05

Corrections are visible

If we get something wrong, we say so where the original ran, at the top, with the date of correction and what changed. No stealth edits. No quiet takedowns.

06

The reporting is never machine-made

No interview, quote or frame of footage is generated or altered by software. What people said on camera is what they said.

07

Funding does not direct the work

Supporters fund the work. They do not choose stories, edit copy, or veto pieces. Editorial direction sits with WTM. The bills are published so anyone can audit that the money and the work stay separate.

These seven make the standard visible. If any principle here is broken, the mechanism to name it is a DM to any of our social pages or a reply to The Dispatch. Corrections get published where the original ran.

All of a sudden you’ve got a neighbor committed to being your neighborly newscaster.
by Maceo · founder · We Them Media
Where this goes next

If this is the media you want to exist, fund it.

Two people are on payroll: Gift and Bayo. Recurring support pays their wages and the tools, and keeps every video free to watch, with no ads and no paywall.

Keep this going

15 supporters at $162 a month pay for this work, on the way to $1,000 a month. 0 of 150 street interviews are in for One Question, which closes Wed 4 November.

From the catalogue Five years of it, free to watch
Full archive →
Philadelphia · Field interview
"The numbers don't add up to work for nobody."
Ethiopia · ETH Pop-up
Gloria on pop-up cities and web3.
LTAE · Newest
Six episodes, guests across continents. Complete.