What would you ask, if you could ask the world?

Draft in the founder’s voice, built from his 2022–2024 writing and the tape. Under review by Maceo; sentences in quotation marks are his, verbatim, and link to where he said them.

Before now I never envisioned myself running a newsroom. This started as We Them Niggas, a podcast I made to contribute something to the music industry, and We Them Niggas is how I built the network, the community, and the archive that We Them Media is now built on. What I learned in web3 shifted what it was for. “Originally conceived as a podcast, things have shifted-- as my journey into the realm of Web 3.0 has taught me the importance of prioritizing community over content creation.” That sentence is from September 2022 and it is still the shortest version of how We Them Media happened.

Here is the problem as I see it. Almost everything you know about a place you have never been reached you through somebody else’s edit. It came filtered, summarized, and reordered before it got to you, by people and now by machines that never asked the person it was about. Ask a question about a country you have never set foot in and watch what comes back: an answer in seconds, confidently written, from sources you cannot inspect, about people nobody talked to. You lose the ability to act on any of it, because you cannot tell what is true.

The thing I keep coming back to is that “the victors are the history books.” So this time we should do our work and archive from all sides. That is the whole idea. A camera in the hands of somebody who lives there, asking the question, and the answer kept in the words it was said in-- not a summary of it, not a quote pulled out of context, the tape.

What is missing is the footage. Enough video made by people who live where the story is happening that anyone can check a claim against a face. Enough of it to put communities in front of each other who would otherwise never meet. Make enough of that and people can act on what they can finally see.

We make videos from and for communities whose stories are most often told extractively, by outsiders passing through a place they don’t share, or not told at all.

There’s a pattern behind that extraction. It’s colonial, neo-colonial, and corporate, and we don’t pretend it isn’t. Colonialism in particular is the biggest unwritten story of contemporary media. We don’t treat it as a single beat. We treat it as a lens through which other stories get told. George Floyd needed colonial context to be told justly. Biafra needs it. Land and economic questions in Kenya carry the long shadow of British settler structures, even when the day’s news looks unrelated. Eviction in Charlotte needs colonial-and-corporate context. Most outlets leave that context out. That’s how communities end up dehumanized and decontextualized in the same breath. We don’t.

The work is led by an intersectional coalition. African leadership and diaspora leadership form the spine. White collaborators and other allied voices are part of the network on the same anti-extractive terms. Lineage matters here, and it is not a purity test. The question we ask anyone joining us is whether they treat the people in their videos as partners or as objects.

The network is anchored in Africa. That’s where most of our contributor base lives and where the founder has spent the most time on the ground. The immediate work is a strong proof-of-concept across Nigeria, Kenya, Uganda, and Ethiopia. Show the model works, then expand. Latin America may be a later horizon. We’re not committing to a second continent before the first one is properly anchored. The English-speaking diaspora is already part of the work. Expansion comes in stages.

The team is split across continent and diaspora, from Lagos and Abuja to Nairobi to Philadelphia, and everyone is named on the masthead. The audience: people who want to understand somewhere they don’t live, from someone who does. College-age is the spine, and that holds for most of the people filming too.

The work is free to access. No paywall. No advertising. The audience we earn is the audience we owe.

WTM lives on the same shelf as independent host-led media, Lex Fridman, Channel 5, Zane Lowe, Afropolitan. The closest sibling is Channel 5. Where Channel 5 sees the world through American-male perspectives, We Them Media is global from day one. Africa, the diaspora, and the U.S. in honest conversation, not one continent’s eyes on the rest of the world. We’re not in the same lane as legacy hard-news outlets and we’re not trying to be.

The philosophy underneath the work is situated knowledge. The position, from feminist epistemology: all knowledge comes from somewhere. The “view from nowhere” mainstream media claims is itself a particular position pretending to be universal. Multiple situated perspectives in honest conversation produce a truer picture of the world than any one perspective claiming neutrality. WTM declares its position openly. African leadership, diaspora collaboration, a community creating from where it actually lives. We don’t apologize for that. It’s a more honest starting point than objectivity pretending it has no starting point.

We don’t just cover communities. We pay people from those communities to develop their own media capacity. Coverage leaves when the story does. What we are trying to leave behind is the capacity to keep filming.

How it works: One Question is the programme. Somebody is asked a question on their own street, on camera, and answers it before they walk away. Contributors across the network film them in the places they live, and the whole thing is talked about out loud every Wednesday on the Weekly Connect, our community call. Anyone can also post a question to the platform and attach money to it, and storytellers close to that question pick it up, film it, and earn the bounty on delivery. Quality work earns weekly tips on top of bounties. The strongest contributors at the end of each season are retained as lead voices for their regions. Funding flows through mechanisms you can see: recurring support through Fractured Atlas, our fiscal sponsor, and open bounties on poidh where every question and every payout is public. Readers can see what they’re paying for and contributors can see what they’re being paid in. Editorial direction is held by WTM. Not by funders. Not by token holders. Not by partners.

The coalition does the work. The conversation it produces is the point.

Maceo Whatley started this in 2021 from his college apartment at Franklin & Marshall in Lancaster, Pennsylvania, as We Them Niggas: a podcast, paid for with the ENS (Ethereum Name Service) airdrop that came with picking up wethemniggas.eth. “With that money, I started my podcast, buying my first professional microphone and webcam.” About forty interviews followed, one at a time, and in 2024 Friends With Benefits put thousands of dollars behind the We Them Niggas IRL series at ETH Denver, the first funded production. That project is how the network, the community and the archive this site is built on got built. The company took the name We Them Media; the podcast that came after it, Let’s Talk About ETH: Around The World, is archived. The long-form writing from those years is on Paragraph. Five years in, 15 countries deep in the Ethereum ecosystem. Builds slow, ships steady.

The team has grown since. As of August 2026 the network carries Maceo plus eight on the core team, an expanding bench of contributing reporters (Sherzin, Maritza, WalkwithGod, Kaspa, Lorah, John Bayode, Fidesio, Tim, Calib, and counting), and Editor at Large Arikia Millikan (former WIRED editor, founder of CTRL+X). Season 01 opened June 1, 2026. Currently releasing ETH Conf coverage. Two community projects from Marissa and Kafani coming soon. The work is in motion.

Cameras in many hands, across many countries. Video notes moving between a barbershop in Philadelphia, a market in Lagos, a campus in Nairobi. A third place, made of the curiosity between them. A catalog of it all on the open web, permanent, not behind anyone’s paywall. A record of what communities looked like in this decade, kept by the people who lived in them.

This is the founder’s decade. The story so far, year by year →